Movement Memory: Scripts / Partitions / Notations​

Why do we feel the necessity to preserve immaterial art? Can the ephemeral nature of a performance be part of the performance itself? How can a time-based work of art like a performance or choreography be documented, preserved, and represented? What are the differences between making a partition or a scipt and documenting a performance? During the workshop, we explore live art performance and its relationship to documentation and archive, develop different strategies for the conservation and activation of performance, dance, theatre, and activist works through the identification of parallels in terms of authorship, authenticity, autonomy, memory, continuity, and liveness.

OBJECTIVES
Developing Creativity and Innovation, Critical Thinking, Communication and Collaboration
OUTCOME
Text, Performance, Object, Spatial design, Interactive systems, Hybrid spaces, Exhibition, Community building...
METHODOLOGY
Experimental, Theoretical/Practical and Interdisciplinary
VALUES
Risk Taking, Experimentation, Theory ❤ Practice
TOOLS
Costumes, accessories, masks, props, makeup, sound- and light system, soft & flexible materials...

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