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Embodied Voices:
​A Masterclass in Movement, Dance, and Creative Writing for Theater Professionals

February 1-14, 2025
Dates: ​February 1-14, 2025
Venues: Vannes, 56000, FRANCE (rehearsal studio, public space...)
Participants: Maximum 10 professionals
Cost: 500€

Overview:
Through non-formal learning, experimental pedagogies, and a somatic approach, this masterclass is specifically designed for theater professionals seeking to expand their skill set by integrating movement, dance, and creative writing into their artistic practice. Tailored for individuals with a background in text, this program encourages participants to explore movement as a means of expression and to create original texts that embody their unique artistic vision.

Methodology & Daily schedule

The masterclass employs principles of non-formal education, critical pedagogy, and radical pedagogy, fostering an environment that values diverse perspectives and encourages collective exploration. Through a non-canonical approach, participants will challenge conventional boundaries, embracing alternative aesthetics and marginal voices.

February 1: Arrival

​Part 1 (February 1-5): Exploration of movement and dance
  • Day 1: Introduction to movement: Fundamentals and techniques
    An overview of basic movement principles and techniques to establish a solid foundation for exploration.
  • Day 2: Improvisation exercises: Finding your body's voice
    Engage in improvisational activities to discover personal movement styles and enhance body awareness.
  • Day 3: Physical storytelling: Embodying character through movement
    Learn how to convey narratives and emotions through physicality, integrating character work with movement.
  • Day 4: Integration workshop: Movement with text
    Explore techniques for marrying movement and text, creating a cohesive and expressive performance language.
  • Day 5: Creative reflection: Sharing and feedback
    Participants share their discoveries and receive constructive feedback to foster artistic growth.

Break 1. (February 6-7):
Reserved for community activities such as hiking, art and nature excursions, and gatherings to promote connection and inspiration among participants.

Part 2 (February 8-13): Creative writing and embodiment
  • Day 6: Writing workshops: Generating original texts
    Focus on creating original written work, exploring personal themes and storytelling techniques.
  • Day 7: Movement-text integration: Techniques for embodiment
    Dive into methods for embodying written text through movement, enriching the creative process.
  • Day 8: Collaborative creation: Pairing movement with writing
    Work in pairs to combine original texts with movement, fostering collaboration and artistic synergy.
  • Day 9: Rehearsal day: Developing a short solo performance
    Dedicate time to rehearse and refine a short performance that integrates movement and text.
  • Day 10: Final showcase: Presenting your work
    A culminating event where participants present their developed performances to an audience.

Break 2. (February 13-14):
Continued opportunities for community engagement and reflection, including art and nature outings, promoting a holistic approach to the creative journey.

February 14: 
Departure

Learning outcomes

The learning outcomes are ideal for those who have primarily worked with text and wish to incorporate a multidisciplinary aspect into their work, particularly through movement, bodywork, and dance. This masterclass is also designed for individuals eager to step into the role of author, moving beyond performing others' texts to write and embody their own. Additionally, it offers actors and actresses the chance to explore directing and create their own pieces. Participants will find this a unique opportunity to challenge all facets of their creative practice and initiate multidisciplinary projects that encompass text, movement, voice, sound, and even audience engagement through interactivity.

Participants will:
  • Gain new tools and techniques in movement and dance, enhancing their physicality in performance.
  • Develop original creative texts that reflect their artistic voice.
  • Learn to effectively integrate movement and writing, creating cohesive and dynamic performances.
  • Create, explore, and experiment with their own material in a supportive environment.
  • Receive individualized mentorship and feedback, fostering professional growth.
  • Collaborate with fellow participants, expanding their artistic network and opportunities for future projects.​

Program creator

Picture
More about
​Anna Adam is a choreographer, author, and social activist with over 15 years of experience in the performing arts. With a rich background in multidisciplinary practice, Anna has successfully integrated movement, dance, and creative writing into her work, pushing the boundaries of conventional theater. Her approach is rooted in non-formal education and critical pedagogy, emphasizing collaboration, experimentation, and inclusivity. As the main facilitator of the Gray Box Masterclass, Anna is dedicated to supporting participants in achieving their artistic objectives. She offers personalized mentorship, guiding each individual through the process of exploring their unique voice and embodying their texts. Anna’s expertise in fostering a supportive and stimulating environment will empower participants to confidently integrate movement with writing, paving the way for the creation of innovative and dynamic performances. Her commitment to nurturing creativity and fostering community will ensure that every participant leaves with valuable skills and newfound confidence in their artistic practice.

Application information

To apply for the Gray Box Masterclass, please send us the following materials via email:
  • CV
  • Showreel
  • Motivation letter

​Applications must be submitted by December 10, 2024.

Apply here
© 2024 GRAY BOX All rights reserved.
  • Home
  • GRAY BOX
    • Manifesto
    • People
    • CV
    • Contact
  • Performance
    • Black Box >
      • Elrabotam a szived
      • Right for Fight
      • sorry not sorry: Second book
      • Crisis before Crisis
      • MÖBIUS
      • Who is the boss?
      • UTOPIA/DYSTOPIA
      • CLASH
      • Secret Garden
      • sorry not sorry: First book
      • Picnic in Eden
      • No hook-ups only serious
    • White Cube >
      • Dreams are my reality
      • Air is in the Love
      • Heavenly Foreplay: Song of Senses II.
      • Dirty Dancing Girl Power II.
      • Confessions: Coming OUT!
      • Heavenly Foreplay: Song of Senses
      • Passion. Fan behaviour. Love.
      • Over 18
      • Love, Tenderness
      • Landscape, Action!
      • Dirty Dancing Girl Power
      • Replay! Remix! Remake!
      • The First Kiss
      • Feminine-Masculine
      • Try On/Out!
      • Memory-Starters
      • The Fitting Project
    • Outdoor >
      • ​The Master and Margarita
      • Israel Us!
      • Do you remember when...?
    • Catwalk
  • Education
    • Movement, Dance, and Creative Writing for Theater Professionals
    • Dance Performance Studies
    • Études de Danse et Pratiques Performatives
  • Platform